WARNING: This film contains flashing images.
Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant collide in a frame-by-frame editing that assaults the eyeballs and assassinates the normative consciousness of the viewer. The footage seems to penetrate us, as though it was a knife or a threatening phantasmagorical entity. The fast succession of single frames and extremely short audio files produce afterimages and aftersounds—entoptic and endaural phenomena—creating a film that does not happen on the screen, but in our brain cells.
• CRANC #01 (2016, Barcelona, Spain).
• Jornadas de reapropiación (2016, Mexico City, Mexico).
• L’Alternativa (2016, Barcelona, Spain).