“Those who let their eyes and ears look at and listen to whatever they may, tire their minds thereby and so lack clarity. Those who use intellectual rumination to exercise control, pain their minds thereby and accomplish nothing.”
«Quien gusta demasiado del oído, acaba alborotando los cinco tonos y confundiendo las seis armonías; ensordece ante tanto sonido de metal, piedra, seda, bambú, y música huangzhong y dalü».
Zuang Zi: «Maestro Chuang Tsé», Kairós.
“You wouldn’t ask a blind man to appreciate a scene of beauty, nor a deaf man to enjoy the sounds of drums and bells. But it is possible to be blind and deaf in one’s deep understanding, as well as physically.”
The Book of Chuang Tzu, Chuang Tzu.
«Treinta rayos convergen hacia el centro de una rueda,
pero el vacío en el medio hace marchar el carro.
Con arcilla se moldea un recipiente,
pero se utiliza por su vacío.
Se hacen puertas y ventanas en la casa
y es el vacío el que permite habitarla.
Por eso, del ser provienen las cosas
y del no-ser su utilidad».
Tao Te Ching, Lao Tzu.
I recognise in the deepest tones of harmony, in the bass, the lowest grades of the objectification of will, unorganised nature, the mass of the planet.
It is well known that all the high notes which are easily sounded, and die away more quickly, are produced by the vibration in their vicinity of the deep bass-notes. When, also, the low notes sound, the high notes always sound faintly, anil it is a law of harmony that only those high notes may accompany a bass-note which actually already sound along with it of themselves (its sons harmoniques) on account of its vibration.
This is analogous to the fact that the whole of the bodies and organisations of nature must be regarded as having come into existence through gradual development out of the mass of the planet; this is both their supporter and their source, and the same relation subsists between the high notes and the bass.
There is a limit of depth, below which no sound is audible. This corresponds to the fact that no matter can be perceived without form and quality, i.e., without the manifestation of a force which cannot be further explained, in which an Idea expresses itself, and, more generally, that no matter can be entirely without will.
Thus, as a certain pitch is inseparable from the note as such, so a certain grade of the manifestation of will is inseparable from matter. Bass is thus, for us, in harmony what unorganised nature, the crudest mass, upon which all rests, and from which everything originates and develops, is in the world.
The World as Will and Representation, Arthur Schopenhauer.