RAW

RAW_blog

I’ve bought this tank top in honour of the dozens of hours that I spend converting RAW audio files into JPEG images (and viceversa). And it’s electric blue, my favourite colour.

The frequency of opiates is a special oscillation of ultra sound

“Anything that can be done chemically can be done in other ways…what is missed in withdrawal is a certain frequency

[…]

The frequency of opiates turned out to be a special oscillation of ultra sound. The frequency was quite as habit-forming as morphine but could be gradually shut off over a period of several months resulting in a painless cure […] The discovery that the effects of morphine can be produced by a sound frequency led to realization that the effects of any drug can be so produced and frequency therapy came to supplant drug therapy.”

The Job: Interviews with William S. Burroughs, Daniel Odier.

Símbols franquistes a Tortosa i altres desusos

Núvol ha publicat una bonica crònica del Embarrat i també unes paraules boniques sobre la meva acció/vídeo:

«Blanca Rego (Ferrol) va realitzar una de les accions més interessants i directament vinculades a la inutilitat i el desús. La gran màquina I és la realització d’una curosa recerca per Internet de les bases escrites de la primera edició (2014) del festival Embarrat (que no estaven ja penjades al propi web del festival). D’alguna manera, l’autora posava de manifest la obsolescència mateixa de la creació contemporània, les convocatòries, els premis, els festivals o els propis artistes i les seves obres. Un cop trobades les bases en un document PDF, l’autora inicia una cadena de transcodificacions: de PDF converteix el document a audio, el divideix en fragments i el converteix en arxiu de fotogrames, aconseguint un resultat aleatori i imprevisible. El resultat final és un vídeo HD en bucle de menys de 4 minuts esdevingut artefacte inútil, obsolet i inintel·ligible. Una absurditat amb ple sentit interpretatiu».

«Símbols franquistes a Tortosa i altres desusos», Oriol Martí Sambola.

The sexuality of the loud noise

— You made a loud noise.
— You didn’t make umbrage with the loud noise. You made umbrage with the fact that you’ve got a load of gay people in a straight bar. That’s what you’ve got your problem with. Admit it, just admit it.
— No…
— Absolutely admit it.
— The sexuality of the loud noise was not an issue with me, it was the fact that the noise was loud.
— Oh, right, so it’s just merely a matter of decibels.

Weekend (2011).

No image. No color. Just blackness

“Dreams getting worse. Usually in nightmares you see what you’re scared of. Not in my case. No image. No color. Just blackness and then in the distance, getting closer and closer, beginning to pierce some strange ever-present roar, sounds, voices, sometimes just a few, sometimes a multitude, and one by one, all of them starting to scream.

Do you know what it’s like to wake up from a dream you haven’t seen? Well for one thing, you’re not sure if you were dreaming or not.”

House of Leaves, Mark Z. Danielewski.

Audible Frequency Range

Just a small test, a 20Hz to 20kHz frequency sweep heard as sound and seen as images. Sound and images are the same files saved in two different formats (AIFF and JPG). Images were generated chopping the audio file in very small fragments (the equivalent to one frame) and saving them first as RAW and then as JPG using Audacity and ImageMagick.

What he misses most is the sound of traffic

As he tells his father, what he misses most is the sound of traffic. It seems the noise made by trucks and taxi cabs created for him a kind of evening lullaby. Now he finds it difficult to fall asleep in the quiet.

“What about the sound of crickets?” Navidson asks.

Chad shakes his head.

“It’s not the same. I dunno. Sometimes it’s just silent… No sound at all.”

“Does that scare you?”

Chad nods.

“Why?” asks his father.

“It’s like something’s waiting.”

“What?”

Chad shrugs. “I dunno Daddy. I just like the sound of traffic.”

House of Leaves, Mark Z. Danielewski.

framework:seasonal ::: issue #8, now available!

framework

There’s a new framework:seasonal series with one of my rain recordings.

“The framework:seasonal series of fund-raising audio releases continues with issue #8, another superb compilation of previously unreleased sounds by artists working in the field recording community. this selection features new names as well as several you’ve certainly heard before, all of whom are new to framework editions‘ release series. blanca rego, christopher delauranti, christina kubisch, stephanie spray, darius ciuta, cathy lane, julia hanadi al abed & lou mah al abed ratier, martin kay, magali babin and rodolphe alexis.”

More information at framework radio

Harmony was a capitalist plot to sell pianos

—Do you perform often?
—Only at poor attended concerts for postgraduates.
—That’s a shame, why do you think that is?
—Because once you move away from tonality and harmony the audience is very small.
—That’s because harmony is science. Harmony is physics.
—Harmony was a capitalist plot to sell pianos.

(Untitled) (2009).